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Tom Barrie Simmons Author's avatar

This is, I'm afraid, just another aspect of the dark underbelly of the United States.

I have American friends in the village, lovely people, who don't go along with this type of thing, but are of course unable to do anything about it.

Have spent time in America, and I have also worked for American companies, and I long ago came to the conclusion that exploitation without conscience leads to riches.

Of course, people will point to the great American philanthropists, but the balance that has taken Europe since the Renaissance to attain has not yet reached the states – but then who am I to criticise, at the end of the day I'll be judged by my peers x

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Louiza’s Playground's avatar

Sal, this is a very powerful piece of writing. It builds slowly and patiently, but by the end, it feels like something has cracked open. The theatrical structure works beautifully. It gives the subject both drama and dignity. The way you thread Maria’s daily rituals, David’s discomfort, Frank’s smugness, and the historical legacy is layered, human, and somehow still clear even in its heaviness.

It’s hard to put into words, but this touched something I can’t quite name yet. It is very strong how you manage to show all these aspects: the human cost behind the performance, the manipulation of dignity, and the way racism was quietly baked into an economic model. It is devastating to read, and heartbreaking to realise how much of it isn’t accidental, but deliberately designed. This isn’t just a critique. It is a form of witnessing. And I think that is what will stay with me the most.

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